Authors – Page 2 – Verve Poetry Press

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Rick Sanders

‘I am so pleased that Verve has been bold enough to publish my collection, because it feels that comic poetry is always on the fringes of the mainstream poetry establishment, yet when we experience comic poetry at it’s very best it has the power to lift us and transport us in exactly the same way as all the other poetic forms and you get a good laugh thrown in for free!’

Did you know? Rick has also been a big part of the Verve Festival Team - our personal favourite moment was when he chased The World's Smallest Poetry Festival off the stage.

Rick Sanders, aka Willis the Poet, is an established comedy stand-up poet based in the mighty West Midlands. He is a regular headliner and featured poet on the flourishing spoken word scene across the UK, his sticky sausage-fingers in as many pies as he can.

You can find him running his mouth off at any event where there is a) an audience and b) a microphone. In between gigs he skulks in the dark recesses of abandoned buildings trying to think of funny things to write about, which is testament to the contents of this book really; a romp through the cerebral cortex of a man who writes humourous verse about pretty much anything and then inflicts it on unsuspecting poetry fans wherever he can.

THE TOP SECRET POETRY NOTEBOOK OF WILLIS THE POET

Sometimes things are top secret for a reason. Thankfully Willis the Poet assures us that these poems have not been hidden away for that reason but another one altogether.

Anyone who has seen and laughed with Willis the Poet will know that his poetry notebooks contain poems big and small, incidental and even more incidental, rough and smooth and everything in between (incl smoothly rough).

The thing they have in common is that they are all hilarious. At least the ones he reads out are. But never before has Willis the Poet permitted his audience to peep inside his most prized poetry trove. A bad idea? Perhaps, but there’s no resisting a topsecret poetry notebook!

SAMPLE POEM

'Willis the Poet is without a doubt one of the funniest poets it has been my pleasure to hear perform. His easy yet intensely witty interaction with his audience makes every performance a time of laughter, hilarity and sheer out and out fun!'

Nick Lovell

BRUM RADIO POETS

Brum Radio Poets is a radio broadcast on the last Sunday of each month at 10am, featuring poets from the Midlands and surrounding area. Hosted by Rick Sanders aka Willis the Poet, the show is an hour of chat and poetry readings with 3 other poets. Relaxed, insightful and always fun, tune in to listen to great poetry…

Guests have included many of the Verve family, such as Jasmine Gardosi, Casey Bailey and Spoz, to name but a few!

For a taste of Rick’s comedy, have a look at this performance on his YouTube channel!

Emily Rose Galvin

Did you know? Emily works on canvas as well as on the page - you can see some of her acrylic/mixed media pieces on her social media (linked below!)

Emily Rose Galvin was the first female Staffordshire Poet Laureate (2017-2019) before becoming Poet in Residence at Lichfield Library and co-host of Spoken Word night WordCraft in Stoke-on-Trent.  Performing regularly across the UK, Emily has a repertoire of poetry that tackles mental health, emotional wellbeing and the complications of human relationships, and was most recently placed in the Top 5 Shortlist for Culture Recordings’ New Voice in Poetry Prize 2020.

THE DEW POINT

Taking inspiration from the transient states of water, and the parallels of human sentiment, the debut collection from Emily Rose Galvin explores the changing states of emotion, relationships, mental health and cultural pressures. From the vapour-like intangibility of first love to the waves of depression, the dew point aims to examine that finite degree between happiness and desolation; emptiness and making ourselves whole.

At times both vulnerable and shocking, Emily’s writing strikes a nerve between the subtle and uncomfortable, while coaxing out the honest core of readers and forcing them to engage with the darker parts of modern life that we tend to gloss over.

SAMPLE POEM

The Theory of Relationships According to Pythagoras

Point one, and you’d be blind to call this a triangle,

triangular as your limbs all seem;

too many elbows, somehow,

jutted in to left angles,

one too many ribs that make each breath

sound like a butterfly earthquake between chests.

But you embrace like a moulding.

A negative degree angle,

convex,

each cell below the belly button and above the kneecap

part of some complex reaction

fusing into one another,

desperate to.

Hearts meet at point two,

Straight lined, so much less about sex these days,

a full-bodied unity.

The points of the hips meet softly now

as breathless kisses,

the sigh of an arm draping a shoulder in triangulation.

These bodies the rise of a steeple, the stretch of a finger,

the swoop of a wing.

But I saw us at point three

obtuse in all angles, repellant;

the touching biceps and minds wandering beyond the

conservatory door.

I’d build a ship in the space between us

and set sail for hope

were it not for the anchor of a tear

against my right-angled shoulder,

and I know these are no seas for mismeasured sails.

I know the triangular warning sign when I see it.

The back pedal got lost, in the angles between hips,

and I’m waiting for point four, an equilateral,

but triangles are only three.

ROSE & CLOUD

Emily’s thoughtful, heartfelt poetry combine with John MacLeod’s sympathetic guitar arrangements in this two-man musical-poetic outfit.

Throughout 2019, Emily & John have home-recorded material, released their debut EP recorded at Tremolo Recording Studio, made radio appearances, and performed in venues and at events around Staffordshire & beyond, and have had a great time doing it.

In 2020, amid the chaos of lockdown and uncertain times, they have remotely recorded a new collection of pieces in the form of an EP entitled #40, and also a Christmas recording entitled ‘The Night Before’.

'It’s Only Thursday' delivers a beautiful taste of things to come from Rose & Cloud, I’m sure of it. Galvin’s words are heartfelt but they’re given a new dimension by MacLeod who lifts them up a notch in terms of their auditory delivery, with both poetry and instrumentals proving a joy to listen to – individually, of course, but when put together they make for something special.

Dr Charley Barnes

Mad Hatter Reviews for 'It's Only Thursday'

Emily performs as part of her duties as Poet in Residence at Lichfield Library.

Geraldine Clarkson

‘I think possibly that what I write comes out differently for having been suppressed, there’s more of a pressure to it—and, when it does emerge, it’s maybe colliding with a different world from the one in which the material was laid down – in the manner of geological layers, perhaps!’

Did you know? Geraldine spent some years living in a silent monastic order in South America —now that's something to talk about!

Geraldine Clarkson is from the UK Midlands, with roots in the West of Ireland. She has three poetry chapbooks, including a Poetry Book Society Pamphlet Choice and a Laureate’s Choice. Her work has  featured in many anthologies including Furies: A Poetry Anthology of Women Warriors (For Books’ Sake, 2014) and Witches, Warriors, Workers: An anthology of contemporary working women’s poetry (Culture Matters, 2020).

She has performed poems at the Royal Albert Hall, broadcast for the Proms Extra Lates on BBC Radio 3, and also at several festivals, the Poetry Society AGM, and at poetry venues in London, New York, Dublin and Edinburgh. Her first full collection was with Monica’s Overcoat of Flesh, Nine Arches Press 2020. 

CRUCIFOX

Crucifox is more a state of mind than a particular creature or person. The collection circles rebellion, emergence from disappointment and fasting, new beginnings, recreation following destruction; soulwork; inspiration and the act of writing itself.

There is a focus on female desire and feral impulses behind polite exteriors; assumed responsibilities and pre-packed creeds; the role of women within close-knit community, the silent and marginalised aspects of women, their masking and unveiling and the stilling of their tongues. There is no shortage either of vermin and sleaze, crime, including murder; along with curlicues, cleaners, clowns, gambling, lotteries, and a lot of luck…

SAMPLE POEM

Before the flames came/Encounter

When the sun had set and darkness had fallen, behold, a smoking firepot
and a flaming torch appeared and passed between the halves of the carcasses.

—Genesis 15:17

On a hill, I always thought, I’d have an encounter, woman
to God; or in the candled calm of some huge-statued
basilica, its sparkling dark. Perhaps at a tree-
starved shrine, with pilgrims stretched in crocodile;
or in bed—through the night—like in Psalm 63. 

Maybe via an angel, masquerading 
as a stranger. Or in the bath,
public or private—it’s not unheard of.

But—en la poesía—how could it happen?—
pen and paper prodding to prayer—to prepare.
Just as father Abram—with promise of offspring
plenty as stars—offered sacrifice:

animals caught, blood-let, slaughtered, halved, set out in a line.

'Geraldine Clarkson's exuberant poems continually delight with their striking originality and linguistic panache. I never know where her often whimsical, at times surreal narratives will take me, but I always enjoy the journey.'

Carrie Etter

MONICA'S OVERCOAT OF FLESH

Geraldine’s debut collection Monica’s Overcoat of Flesh was published by Nine Arches Press in 2020. Richly detailed and formally audacious, the collection is an exploration of enclosure and freedom, of silence and music, and of the impermanence and wonder of the flesh.

These poems contain the uncontainable; spellbound and courageous, they roam from South American monasteries to the shorelines of memory and the truth-towers of the self, surveying matters of faith, being, tragedy, and womanhood.

'Geraldine Clarkson's poems are musical, often playful incantations that delight in the power of words. Formally inventive and vivid with natural imagery.'

Carol Ann Duffy

Geraldine’s poem ‘The Fainting Room’, which features in her pamphlet Crucifox, was performed by Rebecca Hare for Live Canon and shortlisted for the Live Canon International Poetry Prize 2018.

CHAPBOOKS

Annie Fan

‘I hope, and I think any poet hopes, really, that this pamphlet is playful — with gender, language and inheritance, with things shared and things solitary.’

Annie Fan reads law at Oxford University where she was President of the Poetry Society. Her work has been broadcast by BBC Radio 3 and appears, or will appear, in Poetry London, PN Review and The London Magazine, among others. She is a Barbican Young Poet, a shadow trustee at MPT Magazine and has recently been accepted on the Ledbury Poetry Critics Programme.

WOUNDSONG

Annie Fan’s astonishing debut pamphlet interrogates the wound as a symbol of fertility, girlhood, queerness and immigrant identity: what does it mean to puncture, to cleave another person? Does a wounding have to be violent? In what ways can a wounding be tender? Can we speak to our wounds? Can they speak back? Do we inherit our wounds? Are there male wounds and female wounds? Is gender a wounding? How do we imagine our wounds in our dreams?

These poems feel fresh and inquisitive both formally and in terms of their contents. They herald a wonderful new voice in poetry.

SAMPLE POEM

Self Portrait with Rain

These are the things I grew myself,

maddening green from soil, scraping

silt from the backs of wrists

like some sacred deposit. In summer,

I’ll pull away clementines the size

of a fist and spit out pips all over

the lawn, heaving with moss

like thick clumps of hair in the shower.

I spend lifetimes washing,

find my hands over and over as I scrub

turnips, the early cherries, potatoes

damp with musk and leave them

on cool counters, open the windows

to each storm. I say: go away,

I do not want your dark water or

men in long coats; I can’t swallow

your measure or find enough

pillboxes to hold the pebbles.

Today, I press my chin to the ledge

of the window and unearth

my arms and hands, stained from damson

picking. The rain doesn’t stop. But,

somewhere: dawn and the hum of hollowing

seeds planted in dry weather, like a sigh

or shout or song for when the sky

breaks open and gives out

something kinder than light.

‘Annie Fan’s poems have a rare knack for balancing between vulnerability and assurance as they navigate such diverse histories as Kepler’s discoveries, a faraway famine, or the last days of Empress Wu Zetian. Bravely troubled by questions of difference and desire, they trouble us too – as all the best poems do '

Theophilus Kwek

TOWER POETRY COMPETITION 2018

Annie won the Commended prize in the 2018 Tower Poetry competition with her excellent poem about sisterhood and mathematics, ‘How to Invert a Hyperbolic Function’ which features in her debut pamphlet Woundsong.

Meryl Pugh

‘This long prose poem came out of nowhere, dream-like – but as I shaped it, I found it pointed to what is real and social: Western cisgender womanhood, heterosexual marriage and the negotiations of privilege.’

Meryl Pugh lives in East London and teaches for Poetry School and the University of East Anglia. Her first full collection, Natural Phenomena (2018, Penned-in-the-Margins) was a Poetry Book Society Spring Guest Choice, a Poetry School Book of the Year, Highly Commended in the Forward Prizes and long-listed for the 2020 Laurel Prize.

Did you know? Meryl's currently working on a creative non-fiction book, Feral City, which is due out from Penned-in-the-Margins in Spring 2022!

WIFE OF ORISIS

Wife of Osiris is a a pamphlet-length prose poem which considers the ambivalent privilege of heterosexual marriage via the Egyptian myth of Osiris. It asks what happens to good intentions in unequal romantic contracts and where loyalty, wonder and tenderness are best placed in misogynist, violent or indifferent environments. This is an exciting new work from Meryl, wonderfully realised.

SAMPLE POEM

She walks in light pyjamas through groups of people holding wine glasses, under arches, over paving, through lobbies and foyers and atria; she is looking for her street, her flat. The concert is about to begin, there are smiles, but she has gone the wrong way and feels stupid. She is not going to the concert.

The wife of Osiris is too bright and hard for this place, she bursts out through the double doors into the night, she begs her god’s fire to come out of the sky and take her. But the street light is still the street light, the young glance nervously, there is no one here who wants her or who she wants. And her husband, who knew it would be this way, is still absent.

PREVIOUS PUBLICATIONS

Charlotte Lunn

‘There’s still a large stigma around mental health and emotional abuse. The purpose of Metamophosis is to shift perspectives on these subjects and provide a safe space for people to go on their own healing journey and find their voice.’

Did you know? Charlotte's first poetry performance to a crowd was when she put her name into the open mic lucky dip at Nottingham's night Poetry is Dead Good in 2018!

Charlotte is a poet, bookseller and workshop facilitator. After studying creative writing at The University of Derby, she became the Events Co-ordinator at Scarthin Books and has regularly reviewed books for BBC Radio Derby. She has featured at poetry nights across the midlands. When she’s not writing, you can find her in a pile of snacks, on a yoga mat or part way through a cup of tea.

METAMOPHOSIS

Metamorphosis is ‘feeding us to the years we are not yet ready for’, the healing years. A transcendence through abuse which is both about human connection and a connection to nature. Influenced by Plath and spoken word, Charlotte explores her repressed childhood, mental health illness and the journey to recovery.

SAMPLE POEM

Who are you today?

In front of this mirror,
I am faceless,
different masks hang
on the wall, I

must choose one to
wear for
the rest of the day.

A piece of scalp
and jawbone are
missing from one face,

another, its mouth
cleaves to the side
an expression unable

to bear much
at all, I choose the
last face, the one
that is perfect,

the one that has not
yet been harmed,
the one that is not

really mine.

’Charlotte Lunn’s poetry is powerful, thought-provoking and incredibly honest. A rising star on the spoken word scene in the East Midlands, Charlotte’s work touches on themes of love, loss, the body and the mind, and she writes with warmth and sensitivity that few can replicate. In this dazzling first collection, Charlotte takes the reader to difficult places, but her poems remain hopeful and uplifting at their core. I ’ve been excited for this collection for ages, and it’s every bit as good as I was hoping!’

Leanne Moden

TALES OF DERBY WOMEN PAST

First produced between April and October 2020, Tales of Derby Women Past is a poetry project documenting the unheard and seldom-told stories of women throughout the history of Derbyshire. Charlotte was one of Derbyshire poets commissioned to write and perform a piece under the guidance of She Speaks UK

Shazea Quraishi

Writing for me is about discovery, and there has to be some truth for it to be meaningful. ‘Authentic’ is a word we hear a lot – but it’s important with writing, especially poetry.

Did you know? Shazea's currently working on a play adaptation of her sequence The Courtesans Reply!

Shazea Quraishi is a Pakistan-born Canadian poet and translator based in London. An alumni of The Complete Works I, her first pamphlet,The Courtesans Reply, was published by Flipped Eye in 2012 andThe Art of Scratching, her first book-length collection, was published by Bloodaxe Books in 2015.Her poems have appeared in UK and US publications including The Financial Time, Poetry Review and most recently The Hudson Review & New England Review.

THE TAXIDERMIST

Brand new and long-awaited poetry from this elegant and meticulous poet.

What has the body of a white mouse to show us?
What is art?
And how can we live with death?

The contemplative and poised poems in this collection tackle the vast questions of life and art. Their simplicity is beguiling, their vocabulary – hypnotic, as tiny details build slowly, calmly, to create a vision as broad as existence itself.

The Taxidermist is Shazea Quraishi’s first published collection of poems since her 2015 debut full collection The Art of Scratching (Bloodaxe Books).

SAMPLE POEM

Day 3

Sunrise
the highest tree in the garden is the first to be lit
Birds come one orange-red bellied another bright-
yellow black-headed black wings tipped with white
and another a pair
Sky blue as the bucket by the tap
air cool an ant crosses her foot
bees in the lavender bush

A bird perches in a leafless tree
dun-coloured long-tailed quiet
watches her watching
preens under its wings

Here the other side of the world grass looks different
earth bleached by sun flowers blaze
air smells how to describe it orange

'There’s so much life buzzing through the pages, I was left in no doubt this is a fascination with life, not only its end.'

Charlotte Gann

THE ART OF SCRATCHING

Taking inspiration from sources including historical and medical texts, curator’s notes and the Complete Kama Sutra, Shazea’s first collection explores love and loss through a range of voices: an Iraqi mother holds her fragile son; under the guise of ardour, a courtesan searches a client for signs of the woman she loves; a wife is unsettled by her husband’s new family…

The Art of Scratching includes The Courtesans Reply, a sequence written in response to the Caturbhani, four plays written around 300 BC on the life of courtesans in India.

Shazea Quraishi’s first collection reveals the poet’s flair for re-imagining and feminising historical texts, and for inventing her own edgy fables of family life and childhood.’

Carol Rumens

The Guardian

Sophie Sparham

“I gave up everything to write and perform. I gave up my career, my nine-to-five wage and worked three part-time jobs where I had less responsibility so I could have more time to write and trial workshops. I regret nothing!!!!! This is the happiest I’ve ever been in my life.”

Sophie Sparham is a writer from Derby. She has written commissions for BBC Radio 4, The V&A and The People’s History Museum.

Sophie co-hosts the poetry night ‘Word Wise’ which won Best Spoken Word Night at the 2019 Saboteur Awards. Last year she became the first poet to perform at the metal festival Bloodstock Open Air.

Did you know? Each poem Sophie writes has a soundtrack - a song that accompanied its writing. You can see what some of them were in a special index at the back of her book!

THE MAN WHO ATE 50,000 WEETABIX

‘If I was asked to make a film of my life / I’d capture every unextraordinary moment.’

‘The Man Who ate 50,000 Weetabix’ is a collection which explores the tension between masculinity and freedom in a Derbyshire setting. The poems weave between pubs, fathers, music and the expectations that we put on ourselves.

The collection is a celebration of the mundane: the graffiti on toilets doors, bad take away names, fake ID, Wetherspoons carpets, local Star Trek Appreciation fan clubs and the phrase ‘ay’up’. How everyday rituals and occurrences are weird and magical.

SAMPLE POEM

Sunrise Over Aldi

It won’t always be like this, somewhere
boys will put down their postcodes and weep
into tracksuits, step over double yellow lines
and loiter with one another. On the south side
of the city a mother will embrace her daughter
for the first time, try on her new name and
find that it fits her lips. Caroline she will say,
Caroline, Caroline, you look beautiful.
It won’t always be like this, somewhere
a seventy-year-old bird watcher will buy a motorbike
and find that he too can fly, a black woman
will show a mixed-race girl how to tie a headwrap
and something in her heart will leap. Somewhere,
someone will utter the words; I love you,
I miss you,
I’m sorry.
An atheist will speak Allah and smile at the taste
of honey on his tongue, the dead will climb out of
their graves and shake those standing in line
at the bank. Somewhere, you will look down at the
stars shooting across the duel carriageway and
decide to climb off the iron railings. In the shadow
of the service station, you will wait for dawn.

'I don’t believe there’s anything ordinary, anything commonplace about Sophie. In fact, since reading her poetry, I’ve come to believe that - in the same way that there’s no such thing as bad weather, just unsuitable clothing - there’s no such thing as an ordinary moment, only ordinary ways of looking. Reader: you’re in for a treat'

Helen Mort

SAMPLE VIDEO

More from Sophie!

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Natalie Whittaker

‘The thing that motivates me to write is a line or a sound or an image that I can’t get out of my head… The need to transform emotion (usually negative emotion) into something approaching comprehension.’

Natalie Whittaker is a poet and secondary school teacher from South East London. Her debut pamphlet Shadow Dogs was published by ignition press in 2018. Natalie is one of the London Library’s emerging writers for 2020 / 2021. Her poems have been widely published in UK magazines and anthologies; she was commended in the Verve poetry competition 2020, and won second place in the Kent and Sussex poetry competition 2020.

Did you know? Natalie's poem 'Moss' (shortlisted for the Frogmore Poetry Prize) was turned into a short film by Jane Glennie. The film won 3rd Prize in the 2019 Oxford Brookes Poetry Film Competition—links at the bottom of this page!

TREE

In Tree, Natalie Whittaker is writing about her personal experience of stillbirth and the mental illness that can follow such a traumatic event. It is a subject that is still rarely addressed in poetry, writing or conversation. That she is able to do so here, in eighteen intricate, carefully crafted poems, in a way that is engaging, communicative, distressing and yet also beautiful, is a testament to her abilities as a poet, her strong grasp on the power of language and the power of her imagination.

With these powers, she brings a harrowing subject close up and enables the reader to truly feel, to see, to understand, to share. It is a brave and necessary work, wonderfully and heart-breakingly realised.

SAMPLE POEM

the first week

Interflora deliver
three identical bereavement bouquets
white and green
within a week the lilies die
their leaves spawn small black flies

in the kitchen I put away the pans
and a blood clot pushes out of me
like a ragged rotten plum
into maternity tracksuit bottoms

the same night my milk comes in
breasts are sauna stones tears are steam
I slide cabbage leaves
into a maternity bra
go to bed sweat into cabbage leaves
white and green
on the wall there are small black flies

'‘Tree grows from a place of great pain – the experience of losing a child to stillbirth – but Natalie Whittaker’s brave, unflinching and ultimately redemptive poems find a way to make sense of such a devastating event. Through the poet’s desire to speak directly to her daughter, the poems stand as a memorial to a life that never was; in their preoccupation with time, with the passing of seasons, with the re-entry into the ordinary world after a great personal tragedy, they are ultimately a memorial to the preciousness and precariousness of life. This is a devasting book, but one that needed to be written – it is also one that needs to be read.’

Tamar Yoseloff

SHADOW DOGS

Natalie’s first pamphlet, Shadow Dogs, was published in 2018 by Ignition Press. They describe it as a collection of concise, haunting poems of suburban tales half-told, whose visceral and disturbing images are conveyed with unexpected intrigue. This is an absorbing debut delivered with acute, tender emotion from a writer who genuinely cares for their craft. These twenty-one poems herald a poet coming of age.

The twenty-one poems collected here are often short and restrained but, to steal from the pamphlet’s title, the elegant sentences and striking images cast enormous shadows, conjuring something much bigger than themselves. Because of the care with language and the sense of a lived life in these poems, they have long after-lives, resonating after they have been read.

Jonathan Edwards

Poetry School

Marina Sánchez

‘The urgency of these poems would not let me sleep until I wrote and gathered them and they found a home in this pamphlet.’

Did you know? Marina also works as a translator—she has translated Pablo Neruda’s One Hundred Love Sonnets!

Marina Sánchez is a Latinx mix of Indigenous Mexican/Spanish/ British living in London. She is an award-winning poet and translator, widely published in literary journals. Her poems have been placed in many national and international competitions and then anthologised. Her debut pamphlet Dragon Child (Acumen, 2014), was Book of the Month on The Poetry Kit website and was featured in the British Library’s The Hidden Surprises of Poetry Pamphlets Event (2019). Some of her poems are included in Un Nuevo Sol (Flipped Eye, 2019), the first UK Latinx anthology.

MEXICA MIX

In her new pamphlet, Mexica Mix, Marina Sánchez, one of the most distinctive poets from the UKs Latinx community, explores her experiences of living in Mexico, Spain and the UK.

Through the arc of Family, Icons and Earth, she writes a profound, rich and well-crafted sequence of poems grappling with displacement, bilingual identity and mixed heritage, challenging cultural icons and affirming her relationship with the planet, rooted in her Indigenous Mexican ancestry. By turns lyrical, urgent, sensual and subversive, her powerful use of vivid imagery and language both voice the personal and engage the collective.

Place your hand on this book and you will feel the heartbeat of the poems inside.

Marina Sánchez’s poetry is charged with fervour and passion, and deep connection with her Indigenous Mexican and Spanish roots – Nahuatl (Aztec) and Spanish tongues entwine to tell their stories, reclaim lost knowledge and celebrate their existence.

SAMPLE POEM

Clouds of Doubt

Mother’s mouth was a story-telling flower,
painted in her favourite bougainvillea
lipstick, conjuring clouds of doubt
about where she was born.

Sometimes she’d say it was Cuernavaca,
‘the city of eternal spring’,
on the slopes of her beloved volcanoes
and the Chichinatzin mountains,

where dad would stop to buy her orchids.
Other times, she’d say we came from Mixtecs.
But she looked down on ‘indios’ and ‘prietos’,
only pointing out her skin colour

to boast how she turned chocolate in the sun.
While she resented my questions,
what else could I do? As a child,
I felt the weight she carried,

how she seemed trapped in her game
of concealing and revealing,
then sighs, quick laughter, silence.
My ancestors lie like budbursts in these tales.

_________________

Indios: native Indians from one of the many indigenous tribes in Mexico – Prietos: slang for someone who has dark skin

'"What if language was a body of water..." the poet asks. In these urgent and powerful poems Sánchez’s ancestral voices are in full flow, singing praise to life, the maternal, and the elemental.'

Cheryl Moskowitz

DRAGON CHILD

'Amazing poems on such an enormous and difficult subject. Perfectly put together. Beautiful. A real achievement.'

Mimi Khalvati

Published by Acumen in 2014, Marina’s first pamphlet was a series of poems both personal and universal. Personal as they stemmed from her experience of learning her daughter had CHARGE syndrome and universal as they touched on the hopes and fears of all mothers for their children.

The pamphlet was Book of the Month on The Poetry Kit website and was also featured in the British Library’s The Hidden surprises of Poetry Pamphlets Event with Gemma Meek (3 June 2019).

'A fine, direct and poignant exploration through a landscape that has no other map'

Jim Bennett

Poetry Kit

THE TOP SECRET POETRY NOTEBOOK OF WILLIS THE POET

BRUM RADIO POETS

More from Rick!

More Verve Poetry Press Authors

THE DEW POINT

ROSE & CLOUD

More from Emily!

More Verve Poetry Press Authors

‘I think possibly that what I write comes out differently for having been suppressed, there’s more of a pressure to it—and, when it does emerge, it’s maybe colliding with a different world from the one in which the material was laid down – in the manner of geological layers, perhaps!’

CRUCIFOX

MONICA'S OVERCOAT OF FLESH

CHAPBOOKS

More from Geraldine!

More Verve Poetry Press Authors

‘I hope, and I think any poet hopes, really, that this pamphlet is playful — with gender, language and inheritance, with things shared and things solitary.’

WOUNDSONG

TOWER POETRY COMPETITION 2018

More from Annie!

More Verve Poetry Press Authors

‘This long prose poem came out of nowhere, dream-like – but as I shaped it, I found it pointed to what is real and social: Western cisgender womanhood, heterosexual marriage and the negotiations of privilege.’

WIFE OF ORISIS

PREVIOUS PUBLICATIONS

More from Meryl!

More Verve Poetry Press Authors

‘There’s still a large stigma around mental health and emotional abuse. The purpose of Metamophosis is to shift perspectives on these subjects and provide a safe space for people to go on their own healing journey and find their voice.’

METAMOPHOSIS

TALES OF DERBY WOMEN PAST

More from Charlotte

More Verve Poetry Press Authors

Writing for me is about discovery, and there has to be some truth for it to be meaningful. ‘Authentic’ is a word we hear a lot – but it’s important with writing, especially poetry.

THE TAXIDERMIST

THE ART OF SCRATCHING

More from Shazea

More Verve Poetry Press Authors

“I gave up everything to write and perform. I gave up my career, my nine-to-five wage and worked three part-time jobs where I had less responsibility so I could have more time to write and trial workshops. I regret nothing!!!!! This is the happiest I’ve ever been in my life.”

THE MAN WHO ATE 50,000 WEETABIX

More from Sophie!

‘The thing that motivates me to write is a line or a sound or an image that I can’t get out of my head… The need to transform emotion (usually negative emotion) into something approaching comprehension.’

TREE

SHADOW DOGS

More from Natalie

More Verve Poetry Press Authors

‘The urgency of these poems would not let me sleep until I wrote and gathered them and they found a home in this pamphlet.’

MEXICA MIX

Indios: native Indians from one of the many indigenous tribes in Mexico – Prietos: slang for someone who has dark skin

DRAGON CHILD

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