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Shazea Quraishi

Writing for me is about discovery, and there has to be some truth for it to be meaningful. ‘Authentic’ is a word we hear a lot – but it’s important with writing, especially poetry.

Shazea Quraishi

Shazea Quraishi is a Pakistan-born Canadian poet and translator based in London. An alumni of The Complete Works I, her first pamphlet,The Courtesans Reply, was published by Flipped Eye in 2012 andThe Art of Scratching, her first book-length collection, was published by Bloodaxe Books in 2015.Her poems have appeared in UK and US publications including The Financial Time, Poetry Review and most recently The Hudson Review & New England Review.

THE TAXIDERMIST

Brand new and long-awaited poetry from this elegant and meticulous poet.

What has the body of a white mouse to show us?
What is art?
And how can we live with death?

The contemplative and poised poems in this collection tackle the vast questions of life and art. Their simplicity is beguiling, their vocabulary – hypnotic, as tiny details build slowly, calmly, to create a vision as broad as existence itself.

The Taxidermist is Shazea Quraishi’s first published collection of poems since her 2015 debut full collection The Art of Scratching (Bloodaxe Books).

SAMPLE POEM

Day 3  

Sunrise
the highest tree in the garden is the first to be lit
Birds come   one orange-red bellied   another bright-
yellow black-headed   black wings tipped with white
and another   a pair
Sky blue as the bucket by the tap
air cool   an ant crosses her foot
  bees in the lavender bush

A bird perches in a leafless tree
dun-coloured   long-tailed quiet
watches her watching
preens under its wings

Here   the other side of the world grass looks different
earth bleached by sun   flowers blaze
air smells   how to describe it   orange

'There’s so much life buzzing through the pages, I was left in no doubt this is a fascination with life, not only its end.'
Charlotte Gann

THE ART OF SCRATCHING

Taking inspiration from sources including historical and medical texts, curator’s notes and the Complete Kama Sutra, Shazea’s first collection explores love and loss through a range of voices: an Iraqi mother holds her fragile son; under the guise of ardour, a courtesan searches a client for signs of the woman she loves; a wife is unsettled by her husband’s new family…

The Art of Scratching includes The Courtesans Reply, a sequence written in response to the Caturbhani, four plays written around 300 BC on the life of courtesans in India.

Shazea Quraishi’s first collection reveals the poet’s flair for re-imagining and feminising historical texts, and for inventing her own edgy fables of family life and childhood.’
Carol Rumens
The Guardian
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